By Emeka Ugwu
‘Literature is, for us, in fact, a social discourse, (because it) is in varying degrees, defined and controlled by the social institutions within which it is embedded’. – A L Oyeleye
‘Trust, by which I mean confidence that others will do the “right” thing despite a clear balance of incentives to the contrary, emerges, if it does, in the context of a social network’. – Mark Gravonetter
Impelled in part by his ‘own struggle to make sense of the persistent and apparently insoluble political and economic problem’ that Italy faced over the century after it became a politically united nation, the social scientist, Diego Gambetta, talks about ‘a series of seminars – held in King’s College, Cambridge – to discuss the elusive nature of trust’. These seminars, involving scholars from the various social sciences, were held between 1985 and 1986. More…
By Emeka Ugwu
‘The trouble with Nigeria is simply and squarely a failure of leadership’. – Chinua Achebe
Melancholia is a play written by the Nigerian playwright Dul Johnson, who has been writing radio and television plays since the ‘80s, although at times under the pen name Jim Rogers. He is also a scholar who has held teaching positions at the University of Jos as well as National Film Institute, Jos. In a play that plumbs the depths of satire, the playwright tackles head-on the political scene in Nigeria, pre- and post-election, dramatising it in two acts with four and five scenes respectively. It is a play festooned with the physiological ideas of the ancients in such striking manner, the sort that most distinctively disentangles ‘the doctrine of the four temperaments’. More…
By Emeka Ugwu
‘Marrakesh is a hummingbird standing still in the sun/ A thesis in motion, stilling tongues and dialects./ I have watched as her streets dissolved in fun/ At night, a Möbius rendering of joy’s analects’. – The Sahara Testaments, Tade Ipadeola
‘Bad playwrights in every epoch fail to understand the enormous efficacy of the transformations that take place before the spectators’ eyes. Theatre is change and not simple presentation of what exists; it is becoming and not being’. – Theatre of the Oppressed, Augusto Boal
Silencing the Songbird is the playwright Bouchaib El Idrissi’s artistic response to a popular myth that was created around the real life of a very popular singer, Huidda Al Ghiata, who also went by the moniker Kharboucha. More…