By Emeka Ugwu
‘An eye for an eye and an ear for an ear may not be adequate in our circumstances. We might very well demand two ears for one ear and two eyes for one eye’. – Robert Mugabe
‘They don’t care if people die. For the sake of political power the government is willing to sacrifice the lives of thousands. The government is starving areas that voted for the opposition in recent elections. It is the work of devils’. – Pius Ncube
Bongani Sibanda’s debut collection of short stories, Grace and Other Stories, opens as we meet Mlungisi, a young Zimbabwean migrant, who has just returned home on a visit for the first time in a decade. Meeting Mlungisi, the Political Science student at a university in South Africa, we come to learn that his Shona father married his Ndebele mother, who was just sixteen at the time, only to later divorce and throw her out on the streets. With his title story, ‘Grace’, Sibanda begins to thread the needle with stories of survival in Matabeleland. More…
By Emeka Ugwu
‘Literature is, for us, in fact, a social discourse, (because it) is in varying degrees, defined and controlled by the social institutions within which it is embedded’. – A L Oyeleye
‘Trust, by which I mean confidence that others will do the “right” thing despite a clear balance of incentives to the contrary, emerges, if it does, in the context of a social network’. – Mark Gravonetter
Impelled in part by his ‘own struggle to make sense of the persistent and apparently insoluble political and economic problem’ that Italy faced over the century after it became a politically united nation, the social scientist, Diego Gambetta, talks about ‘a series of seminars – held in King’s College, Cambridge – to discuss the elusive nature of trust’. These seminars, involving scholars from the various social sciences, were held between 1985 and 1986. More…
By Emeka Ugwu
‘You can’t understand Egypt without Mahfouz – without his characters, with whom every reader, Arab or not, can identify’. – Tahar Ben Jelloun
‘The older distinction between fiction and history [must] give place to the recognition that we can only know the actual by contrasting it with or likening it to the imaginable’. – Hayden White
Edited by Denys Johnson-Davies, whom the cultural critic and public intellectual Edward Said described as ‘the leading Arabic-English translator of our time’, The Naguib Mahfouz Reader starts an unwitting reader out on a heady journey straight into the heart of modern Egypt. It is a book that houses English translations of a small selection of short stories, excerpts of novels and autobiographical works by the Egyptian Nobel Laureate, Naguib Mahfouz. The collection showcases writings that span six decades, from 1944 to 2004. More…
By Emeka Ugwu
‘[T]he ‘default setting’ of nine out of ten is primordial, no doubt. But as W E B DuBois says, we are after the talented tenth’. – Tade Ipadeola
‘Traditions are extremely difficult to establish and more difficult to maintain because once they begin to unravel, the whole edifice comes crashing down and is lost without a trace within a short period of time’. – Adebayo Lamikanra
Adebayo Lamikanra’s Igbobi Boy would appeal to any dyed-in-the-wool rascal. To be certain, Igbobi Boy is more than a delicately written story about life as a student at the elite, missionary secondary school, Igbobi College in the ‘60s. It is also a book that draws considerable attention to the hapless state of Nigeria’s dysfunctional education system. The book challenges the unfounded notion that quality education in Nigeria only began a nosedive from the mid-’80s. More…
By Emeka Ugwu
‘What happened in Rwanda happened to us all – humanity was wounded by the genocide’. – Immaculée Ilibagiza, Rwandan author
‘The Rwandan Liberation Front, Tutsi-dominated, has demonstrated that its cadres are not above acts of vengeance. A vicious cycle is the inevitable legacy of generations yet unborn’. – The Open Sore of a Continent, Wole Soyinka
In The Ghosts of 1894, Oduor Jagero does not only revisit the scene of what is perhaps Africa’s most brutal event of human rights violation, he also examines its root causes. It is a tragic story told mostly through the eyes of the characters Habineza, Vestine and Sandra, survivors of the Rwandan genocide. Given the novel’s title, students of African history will instantly deduce that the book fingers 1894 – the year in which explorers led by the German Count Gustav Adolf von Gotzen set foot in Rwanda – as the exact point in history when the country’s ghosts came into being. More…
By Emeka Ugwu
‘The trouble with Nigeria is simply and squarely a failure of leadership’. – Chinua Achebe
Melancholia is a play written by the Nigerian playwright Dul Johnson, who has been writing radio and television plays since the ‘80s, although at times under the pen name Jim Rogers. He is also a scholar who has held teaching positions at the University of Jos as well as National Film Institute, Jos. In a play that plumbs the depths of satire, the playwright tackles head-on the political scene in Nigeria, pre- and post-election, dramatising it in two acts with four and five scenes respectively. It is a play festooned with the physiological ideas of the ancients in such striking manner, the sort that most distinctively disentangles ‘the doctrine of the four temperaments’. More…
By Emeka Ugwu
‘The correlation of melancholia and mourning seems justified by the general picture of the two conditions. Moreover, the exciting causes due to environmental influences are, so far as we can discern them at all, the same for both conditions’. – Mourning and Melancholia, Sigmund Freud
‘Nobody is questioned; nobody is questioning; the poet is absent. And the question involves no answer, or rather it is its own answer. Is it therefore a false question?’ – What Is Literature?, Jean-Paul Sartre
In what is arguably his most insightful work, Economic Agenda for Nigeria, published in 1992, Uchenna Nwankwo expatiates convincingly, in very modest but clear terms, on how Nigeria’s ‘bleak and desperate economic situation’, by and large, ‘has had serious implications for the nation’. More…
By Emeka Ugwu
‘Marrakesh is a hummingbird standing still in the sun/ A thesis in motion, stilling tongues and dialects./ I have watched as her streets dissolved in fun/ At night, a Möbius rendering of joy’s analects’. – The Sahara Testaments, Tade Ipadeola
‘Bad playwrights in every epoch fail to understand the enormous efficacy of the transformations that take place before the spectators’ eyes. Theatre is change and not simple presentation of what exists; it is becoming and not being’. – Theatre of the Oppressed, Augusto Boal
Silencing the Songbird is the playwright Bouchaib El Idrissi’s artistic response to a popular myth that was created around the real life of a very popular singer, Huidda Al Ghiata, who also went by the moniker Kharboucha. More…
By Emeka Ugwu
‘The street hadn’t changed. And I was raised on these streets, on kindness and loot’. – Roots in the Sky, Akin Adesokan.
‘A slum is not a chaotic collection of structures; it is a dynamic collection of individuals who have figured out how to survive in the most adverse of circumstances’. – Rediscovering Dharavi, Kalpana Sharma.
Nairobi, popularly known as ‘Green City in the Sun’, is both the largest city in and capital of Kenya. Nairobi is also home to the headquarters of UN-Habitat as well as an estimated two hundred slums and squatter settlements. It seems the perfect setting for Oduor Jagero’s pulsating, satirical thriller, True Citizen. More…
By Emeka Ugwu
‘The tragedy is not that things are broken. The tragedy is that they are not mended again’. – Alan Paton.
Thabo Jijana, budding writer and author of Nobody’s Business, does not belong to the Rainbow Coalition’s so-called ‘born free’ generation. Nonetheless, he tells a very vital story in his memoir, not only about the rather untimely death of his father, Fundisile Jijana, but also of the ongoing strife that has plagued attempts by the government of South Africa to formalise its multi-million rand taxi industry. More…